Love is the "bitch," not any specific woman. Mick Jagger had many relationships he could base this on, including his breakup with Marianne Faithfull. He broke up with her after she tried to commit suicide while they were in Australia in late 1969 (Mick was filming Ned Kelly). As soon as Marianne recovered, Mick dumped her.
The Stones recorded this song, and many others on the album, at the Stargroves estate in Hampshire, England, using their mobile recording unit manned by engineer Andy Johns. Keith Richards arrived at Stargroves after his bandmates had been working on this song for a while with little success. According to Johns, the song sounded sluggish until Richards strapped on his guitar. "He put on his clear Perspex guitar and kicked up the tempo," Johns said. "The song went from a laconic mess to being all about the groove. Just instantly. As soon as Keith started playing, he transformed the song into what it was meant to be."
Despite (or maybe because of) the rather provocative title, this became one of the more popular Rolling Stones songs, often appearing in their setlists. It wasn't released as a single, but got plenty of play on rock radio. In 1974, Elton John broke the "bitch" barrier on pop radio with "The Bitch Is Back," which went to #4 in the US.
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