Summer in the City - Remastered

This song contrasts what it's like to live in a large city during the day and during the night. According to the song, it's difficult to walk around a crowded and hot city during the day, but it's great at night because you have plenty of opportunities to chase women. This particular city is New York, where the band formed.

The song was a collaboration between John Sebastian, The Lovin Spoonful's bassist Steve Boone, and the frontman's brother (and non-group member) Mark Sebastian. Mark was 15 years old when he wrote a poem that John used as the basis for the song - John especially liked the part that went, "But at night there's a different world." "That song that came from an idea my brother Mike had," John Sebastian recalled to Uncut magazine June 2014. "He had this great chorus, and the release was so big. I had to create some kind of tension at the front end to make it even bigger. That's where that jagged piano part comes from." Boone came up with the middle eight, which John thought sounded like the Gershwin composition "An American in Paris," where the orchestra implies the sound of traffic and city noises. This gave him the idea of incorporating car horns and other city ambiance into the track.

The band was rather particular about the traffic sounds. Instead of just using what was available on the sound effects records in the studio, they found an old-school radio engineer - a guy who used to create the soundscapes for shows, so if a guy was riding a horse, you'd hear the hooves hitting the ground and the wind whistling by. This guy, whom John Sebastian referred to as a "hilarious old Jewish sound man," came in with a huge library of street sounds, which the band went through for hours. They wanted the scene to build, so it starts softly (the horn at the beginning comes from a Volkswagen Beetle), and grows to a gridlock nightmare. To close the scene, they used a pneumatic hammer pounding away at the pavement.