Sue (Or In a Season of Crime)

The lead single from David Bowie's compilation album, Nothing Has Changed - The Very Best of Bowie, it was recorded especially for the retrospective with longtime collaborator Tony Visconti. The tune was laid down during the Summer of 2014 in New York with the Maria Schneider Orchestra.

The genesis of the song lay in a visit by Bowie and Tony Visconti to The Birdland jazz club in New York, when they went to see Maria Schneider and her 17-piece big band. "I was totally floored by the beauty and power of her music," Visconti recalled to NME. "I learned she was a student of Gil Evans and worked as his score copyist. Gil Evans and Stan Kenton were jazz composers David and I were both very fond of, and so was Maria, apparently." Bowie decided that he would like to collaborate with Schneider. "Initially we worked from David's demo of the untitled song," Visconti told NME. "Over the course of three long sessions in a rehearsal studio, (Maria) and core members of the band jammed over the bassline for several hours. After this, Maria and David met to finalise the arrangement and structure, and Maria kept me in the picture by sending me musical scores of her updates – her writing was very meticulous." "When the day arrived to record the piece with the full 17-piece band," he added, "David handed lyrics to Maria, myself and our engineer – and it was only then we learned it was called 'Sue.'"

Bowie has rarely touched on jazz before. He once collaborated with jazz fusion band Pat Metheny Group for the 1985 cut "This Is Not America." However, the song for The Falcon and the Snowman soundtrack was a mid-tempo ballad with few jazz elements. In addition, Jazz trumpeter Lester Bowie (no relation) contributed to four tracks from the 1993 Black Tie White Noise set. The Thin White Duke has occasionally used jazz in an ornamental way, such as Mike Garson's improvised piano solo on Aladdin Sane's title track.