This Steve Marriott-penned song has a traditional East End of London Music Hall sound. Keyboardist Ian McLagan recalled to Uncut magazine: "When Steve came in with this it was slower. We started taking the piss out of it while he was out of the room. The 'Root-ti-doo-ti-di-day' thing stop and he laughed when he came back in and heard us. So we cut it like that. It was a piss take!"
Marriott sung much of the song in a greatly exaggerated cockney accent. Drummer Kenney Jones told Uncut: "Steve had been a child actor, he was the first Artful Dodger in Lionel Bart's Oliver in the West End. He brought back that theatricality to this."
Marriott was against his manager Andrew Loog Oldham's decision to release this as a single and that was one reason why he left the group shortly afterwards. Jones recalled to Uncut: "We were on tour in Germany, picked up Melody Maker and this was a hit! Andrew had released it without our knowledge, like 'My Mind's Eye.' So this dragged us back into poppy-land. We wanted to be known for being as good as the Claptons of this world. We wanted a tougher image. It wasn't a fair representation of Ogdens' Nut Gone Flake.
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