Human

This was the first song The Killers recorded for their Day & Age album, in fact it was recorded during their 2007 Sawdust sessions. Stuart Price, who worked with The Killers on several Sawdust tracks, produced it. (Price is best known for co-writing and producing Madonna's Confessions on a Dance Floor.) Frontman Brandon Flowers told Rolling Stone magazine how they persuaded Price to helm this track: "When we met him, we were just having dinner with him in London about what he was doing for us at Sawdust, helping us with Sawdust. So I just said, 'what are you doing after dinner?' He said he was free, and we went to his house - he has a studio there - and we recorded 'Human.' We just knew that it just sounded so good—it was only a couple hours we spent, and it wasn't much different that it is now." Price went on to produce the rest of their Day & Age.

Flowers told Rolling Stone the story of the song: "I think we were at a weird festival in Germany. I was just trying to have it be a simple tune, with classic chord changes. The way I described it to Stuart was - I remember saying this to him at dinner - "I got this thing, it's like Johnny Cash meets the Pet Shop Boys. Let's go record it." Flowers added that the band did "the meat and potatoes" then Price worked on the "landscape."

Many of the Killers' fans have been mystified why the song's chorus ("Are we human/ Or are we dancer?"), refers to "dancer" in the singular. Some have wondered if Flowers is in fact singing something else, such as, "denser." MTV News asked Flowers about the nonsensical chorus. He replied: "It's taken from a quote by [author Hunter S.] Thompson: 'We're raising a generation of dancers,' and I took it and ran. I guess it bothers people that it's not grammatically correct, but I think I'm allowed to do whatever I want." He added, laughing: "'Denser'? I hadn't heard that one. I don't like 'denser.'"
Thompson, known for his novel Fear and Loathing in Las Vegas and for a style of writing known as "Gonzo journalism," committed suicide in 2005, which could explain the lyrics, "Wave goodbye, wish me well, you've got to let me go."