Tighten Up, Pt. 1

The "Tighten Up" is a dance, but the title has a double meaning: "Tighten Up" can mean to play music together in tempo or tune, with a psychological element that the band is emotionally engaged in the music. The phrase can also mean moving closer together on the dance floor, or to engage in sexual activity. The song is a series of instructions from lead singer Archie Bell to both the band and the listeners. He calls, James Brown style, for each instrument, starting with drums, then bass, guitar and organ. Then he gives the dance instructions, which aren't too complicated: look to your left, look to your right. And every now and then, Bell gives the "make it mellow" command, when everything slows down before the groove kicks in again. The song is a soul classic, going to #1 on both the R&B and Hot 100 charts.

Archie Bell & The Drells were a soul group from Houston, Texas, signed to Ovide Records, the label run by Skipper Lee Frazier, a disc jockey on the local radio station KCOH. Frazier produced the song and released it in 1967 as the B-side of another song by the group called "Dog Eat Dog," which Frazier played on the air. Another disc jockey convinced him that "Tighten Up" was the hit, so he started pushing that one and it took off. The song got the attention of Atlantic Records, which signed the group and issued the single in wide release in 1968. It went to #1 on the Hot 100 on May 18, ending a five-week run at the top for "Honey" by Bobby Goldsboro.

Archie Bell recorded this song with The Drells shortly before he was drafted and sent to fight in the Vietnam War. He was shot in the leg, and the song went to #1 while he was in a military hospital trying to convince his superior officers that the song on the radio was his, and he should be sent home to promote it. All he could get were some 15-day passes he used to return home and record more songs with the group. The next single, "I Can't Stop Dancing," written by Kenneth Gamble and Leon Huff, went to #9, but with Bell in Vietnam, the group couldn't perform, so their reach was limited. "There's Gonna Be a Showdown" went to #21, but by the time Bell was discharged, the group had lost their momentum. A few years later, they ended up on the Glades label, and in 1975 they signed to Gamble and Huff's Philadelphia International label, where they issued some songs that made the R&B chart.