Red Headed Stranger

Before Willie Nelson popularized this cowboy ballad as the title track of his 1975 album, the most famous version was by Arthur "Guitar Boogie" Smith, who recorded it in 1954. Nelson, who was working as a DJ in Fort Worth in the '50s, was a big fan of Smith's version and often sang the tune as a lullaby on his radio program The Western Express. "I could see the redheaded stranger. I could feel his heavy heart," Nelson explained in his autobiography It's A Long Story. "And yet, singing this song, I could also feel how little kids, unaware of its tragic message, were mesmerized by the sweet melody, the easy rhythm, and the beautifully repeated patterns that warned us not to boss him or cross him, not to fight him or spite him." Twenty years later, he signed a contract at Columbia Records that gave him creative control over his career. While he mulled his next project, his then-wife Connie suggested he record a concept album built around "Red Headed Stranger." With the help of tracks like "Time Of The Preacher," " Blue Eyes Crying in the Rain," and "Can I Sleep In Your Arms," Nelson tells the tale of a fugitive preacher who roams from town to town in search of redemption after murdering his cheating wife and her lover. He doesn't find it in this song, which ends with him killing a woman for touching his late wife's horse.

This was written by Edith Lindeman and Carl Stutz, who collaborated on several other popular country songs, including "Little Things Mean A Lot" and "Blackberry Winter." Lindeman, who also worked as a film and theater critic for Virginia's Richmond Times-Dispatch, said she was "just sitting at home one night, playing with the idea of colors" when she wrote the lyrics. Color does play an important part in the song, the red-headed stranger (inspired by Lindeman's red-headed husband) hails from Blue Rock, Montana, rides a "raging black stallion," and encounters a yellow-haired lady.

This was originally written for Perry Como, but publishing disputes prevented him from recording it. Aside from Smith and Nelson, it's been recorded by Eddy Arnold, Sonny Curtis, Chris LeDoux and Carla Bozulich. In 2013, Nelson re-recorded it as a duet with Jack White.