Cat's in the Cradle

This heartbreaking song tells of a father and son who can't schedule time to be with each other, and it serves as a warning against putting one's career before family. The verses start out with a natural harmony and depict the tale of a father with his newborn son. Although dad gets the necessities of child rearing accomplished, he doesn't allow himself to put in quality time with his son because of his career. Initially, this seems like no big deal because of his hectic and oblivious life working and paying bills. The recurring verse has the son saying, "I'm gonna be like you Dad, you know I'm gonna be like you..." Over time, both father and son grow into a switching of life roles. The father realizes his son's ambitions of college, grades, and driving, and wants to spend more time with him, yet slowly grasps the reality that now his son has no time for such things. In the last verse, Chapin illustrates that the son is all grown up with a fast-paced job and kids of his own. In a glaring twist of roles, we see that the son now has no time to spend with his father. With a heavy heart, dad realizes that his boy has become just like him.

This song is based on a poem that Harry's wife Sandy wrote. She told Songfacts: "'Cat's In The Cradle' was a combination of a couple of things. Whenever I was on a long drive I would listen to country music, because words would keep me awake more than just music. And I heard a song… I can remember the story, but I don't remember who sang it or what the title was, but an old couple were sitting at their breakfast table and looking out the window, and they saw the rusted swing and the sandbox, and they were reminiscing about the good old days when all the children were around and then the grandchildren, and how it passed, and now it's all gone. The other part of the idea – this is always a problem, because Harry introduced the song at all his concerts and said, 'This is a song my wife wrote to zap me because I wasn't home when our son Josh was born.' I was always kind of amused by that because of the fact that we learn life's lessons too late. We don't learn lessons before the fact. We don't have a child born and then have all this wisdom. So I always thought it was interesting the way he told the story. But I learned the story because my [first] husband was going to New York to be a lawyer, and I had a teaching job in New York. While we were apartment hunting, we were living with his parents in Brooklyn. His father was the borough president of Brooklyn at the time, which I think was a much more important job than it is today. But every day when he got home from work, he would start talking to his son about, 'It'd be great if you'd go down to the club on Tuesday night, I'd like to introduce you to some of the people I know,' and so forth. And he started trying to engineer a career for him which leads to politics. They did not have any relationship or communication because they had been so busy until his son went off to college and was gone. I don't remember exactly how, but he started talking to me. My father-in-law would say me, even though we were all in the same room, 'Tell Jimmy I would like to see him down at the clubhouse on Tuesday.' It was really very strange. So this is the way the evenings went. The conversation was going through me. So I realized what had happened. You know, relationships and characters and personalities and all those things are formed by two, so I realized that that hadn't happened. And it was very jerky at that stage. So I observed something that gave me the idea for the song."

It took the birth of his son for Harry Chapin to decide to turn the poem his wife wrote into a song. Sandy Chapin explained in her Songfacts interview: "Harry and I would exchange writing of all kinds. We were always working on each other's writing. Some of my writing at a certain period were 20-page papers for a doctoral program at Columbia. So it wasn't always that poetic. But we both looked at each other's stuff. And then one time he came home and he said, 'What have you been doing?' I showed him 'Cat's In The Cradle,' and he said, 'Well, that's interesting.' You know, sometimes he'd pick up something and put music to it. And that didn't really grab him at all. And then after Josh was born, it did. He picked it up and he wrote music to it."