Get Down Tonight - 2004 Remaster

Written and produced by Harry Wayne (KC) Casey and his writing partner (and bass player) Richard Finch, this disco classic takes place in a nightclub, where our hero is trying to convince a girl do some dancing, followed by some lovemaking. Casey and Finch would sneak into nightclubs in the Miami area and get a taste of that culture, which influenced their sound.

In a Songfacts interview with Harry Wayne Casey, he told the story behind this song. "'Get Down Tonight' was originally called 'What You Want Is What You'll Get,'" he said. "A lot of times I will have an idea of a song, and during recording I'll just sing whatever comes into my mind and then go back, and if I don't like that, will change it to another complete title. I do it a little bit differently now. I start with titles most of the time and already have the idea of what the title is going to be. But for that particular song and for 'I'm Your Boogie Man,' it was different. My working title was 'What You Want Is What You'll Get,' and that's what I used during the recording of the record. Then I came back and decided to change it to 'Get Down Tonight.' I just thought, 'What are the things I like to do?' I love to dance, and so do other people. Do a little dance, make a little love, get down tonight.' It was just a story about life, about the things that one likes to do."

This was the first of five US #1 hits for KC & The Sunshine Band. It also went to #1 on the R&B charts, not surprising since disco was really a funky form of R&B. According to Richard Finch, they knew they were creating a new sound, but it was based on what was happening on the charts and in the clubs. T.K. Records, where Finch and Casey worked, was both a recording studio and record distributor, which meant they could tell which records were selling, and then try recreating those sounds in the studio. Helping their cause were guitarist Jerome Smith and drummer Robert Johnson. Finch told Songfacts: "Jerome and Robert were the mainstay session cats at T.K. Records. These guys were on fire! They had this Funk Brothers thing going on, and I am very happy to have worked with these two very wonderful guys. They always had a sense of workability and openness - you could record with these guys on 12 different tunes and no two recordings would sound the same."