Downtown

This was Petula Clark's first hit in the US, which was slow to discover her talents. In the UK, she was a star as a singer and as a television performer, where she was a regular on the BBC. In the early '60s, she also caught on in France when she started recording her songs in French. Oddly, she didn't get an American record deal until late in 1964 when a Warner Bros. executive named Joe Smith, who was vacationing in England, heard the song and signed her to a deal. When "Downtown" was released in the US, it shot to #1, making Petula the first female singer from the UK to hit #1 in the US during the rock era (after 1955). Remarkably, she didn't even promote the song before it hit the top spot, as she was touring French-speaking countries at the time. "The Ed Sullivan Show had been calling every day while I was on tour in Canada, saying, 'You've got to get here,'" Petula told Songfacts. "I couldn't get there. Eventually I got there, and the record was #1."

On the surface, this song is about having a delightful time during a trip downtown. But what happens when the night is over and the singer returns to her everyday life? After all, the trip into the city is merely an escape. While many listeners don't process the song on this level, Petula does. An accomplished actress, she thinks of her songs as "mini movies" when she performs them, and considers the feelings behind them. This song, to her, isn't so chipper. "I've always thought there was this loneliness and there's even a slight feeling of desperation in it," she said in her Songfacts interview.

A British songwriter and producer named Tony Hatch wrote this. During the '60s, he wrote most of Clark's material, including her follow-up hit, "I Know a Place" (which also deals with city life). Hatch was inducted into the Songwriters Hall of Fame in 2013.